3P · Print and embroidery on demand

Ready-made garments, branded in days.

Ready-made garments from our stock inside the EU, printed or embroidered to your brand standard in our print and embroidery centre in Poland. We advise the garment and the method, prepare your artwork, show you a proof and deliver across Europe. When stock is not enough, we source beyond it.

A bright decoration hall: operators load a line of multi-head embroidery machines, carts of folded polos fill the aisle, and automatic screen-printing presses run alongside.
01 · Practical

Already made. Ready to brand.

Branded clothing usually waits for the garments to be made. Ours are made already and sit on shelves inside the EU, so the time goes into your decoration, not into waiting for blanks. Tell us who will wear it and what for, and we advise the piece.

  • ×1 piece

    No minimum order

    Direct-to-garment, digital transfer and sublimation start at a single piece. Embroidery works from one piece once your logo is digitised; screen print pays for itself from a few dozen.

  • 2M garments

    In stock in the EU

    Around 2 million garments on the shelf, in more than 250 styles across ten garment families, and more sourced to your brief when stock is not enough.

  • 7 days

    In days

    Express orders on eligible stock styles are decorated and delivered in as little as 7 days. Everything else gets its date with the quote.

What we brand

Garment families, not a catalogue. We advise the piece that suits your people and your budget, and when the right one is not on our shelves, we source it from other makers.

  • An ecru heavyweight T-shirt on a hanger above a stack of folded T-shirts in ecru, terracotta and teal, the top one showing the corner of a three-colour screen print.

    T-shirts

    For events, campaigns, staff days and merchandise.

    • Crew-neck T-shirts
    • V-neck T-shirts
    • Heavyweight T-shirts
    • Long-sleeve T-shirts
    • Organic cotton T-shirts
    • Screen print
    • Direct-to-garment
    • Digital transfer
    Quote this
  • A navy piqué polo on a tailor's form with an old-gold embroidered roundel on the chest, and two folded polos in ivory and old gold beside it.

    Polo shirts

    For front of house, field teams, trade fairs and golf days.

    • Piqué polos
    • Performance polos
    • Long-sleeve polos
    • Fitted polos
    • Embroidery
    • Digital transfer
    Quote this
  • A heather-grey hoodie with a burgundy and cream appliqué shield, above a folded burgundy sweatshirt with a small tone-on-tone embroidery.

    Sweatshirts and hoodies

    For teams, onboarding days, campus and club wear.

    • Crew-neck sweatshirts
    • Hoodies
    • Zip hoodies
    • Quarter-zip sweatshirts
    • Fleece jackets
    • Embroidery
    • Screen print
    • Appliqué and badges
    Quote this
  • A navy V-neck jumper over a light blue Oxford shirt on a tailor's form, a small tone-on-tone embroidered roundel on its chest, and a folded white shirt beside it.

    Shirts and business wear

    For the office, reception and client-facing roles.

    • Oxford shirts
    • Poplin shirts
    • Blouses
    • Knitted jumpers
    • Cardigans
    • Embroidery
    • Digital transfer
    Quote this
  • A graphite softshell and a charcoal fleece jacket on forms, the softshell carrying a white hexagon mark with an orange-to-amber compass needle, applied by digital transfer.

    Jackets and softshells

    For outdoor staff, drivers, events and gifts for your clients.

    • Softshell jackets
    • Bodywarmers
    • Padded jackets
    • Rain jackets
    • Embroidery
    • Digital transfer
    Quote this
  • A signal-orange hi-vis work jacket with silver reflective bands and a small transferred hexagon mark, beside folded navy work trousers and gloves.

    Workwear and hi-vis

    For logistics, construction, warehouses and technical services.

    • Work jackets
    • Work trousers
    • Hi-vis vests
    • Hi-vis jackets
    • Work polos and T-shirts
    • Embroidery
    • Digital transfer
    Quote this
  • An oxblood cotton-twill bib apron with a leather neck strap hanging on a hook, an old-gold embroidered roundel at the chest, beside a white chef jacket with the same roundel.

    Aprons and hospitality

    For restaurants, hotels, catering and retail counters.

    • Bib aprons
    • Waist aprons
    • Chef jackets
    • Catering tunics
    • Embroidery
    • Screen print
    • Digital transfer
    Quote this
  • A cobalt sports jersey sublimated with lime triangles on a form, with white training shorts folded beside it carrying a small cobalt crest.

    Sportswear and teamwear

    For clubs, corporate runs, tournaments and fans.

    • Sports jerseys
    • Training tops
    • Shorts
    • Track jackets
    • Running tops
    • Sublimation
    • Digital transfer
    • Screen print
    Quote this
  • Three structured caps in racing green, ivory and navy on cap blocks, the front one with raised white and yellow 3D embroidery, a folded green beanie before them.

    Caps and beanies

    For merchandise, events, outdoor staff and uniforms.

    • Structured caps
    • Unstructured caps
    • Trucker caps
    • Bucket hats
    • Beanies
    • Embroidery
    • 3D embroidery
    • Appliqué and badges
    Quote this
  • A natural cotton canvas tote with a terracotta and teal screen print of a sun behind a hill, beside a navy backpack on an oak table.

    Bags

    For conferences, onboarding, retail and everyday carry.

    • Cotton totes
    • Canvas shoppers
    • Drawstring bags
    • Backpacks
    • Sports bags
    • Screen print
    • Digital transfer
    • Embroidery
    Quote this
  • Something else? We source it.

    Beyond our stock, from other makers, to your brief.

    Send us the brief
02 · Professional

Print and embroidery to brand standard.

The decoration is what people see first, so it gets the most care. Every method has a fabric it suits and a run length where it pays. We choose by garment, artwork and quantity, prepare the artwork, match the colours and show you a proof.

Navy piqué polo, in stock in the EU. A roundel digitised and stitched in old-gold and ivory thread.

01 / 06A hotel group's front of house · Piqué polo

  1. Practical.Navy piqué polo, in stock in the EU.
  2. Professional.A roundel digitised and stitched in old-gold and ivory thread.Stitched to last through years of washing.Stitches: 9,840 stitches
  3. Production.×5,000. Express on eligible stock styles: decorated and delivered in as little as 7 days.

Seven methods, each chosen for the job

What each method does, where it is strongest and where it stops.

  • An ecru T-shirt on the platen of an automatic screen-printing press, the screen lifted with terracotta ink on its edge and the fresh print still wet.

    Screen print

    From a few dozen pieces

    Ink is pushed through a fine mesh screen, one screen per colour, then heat-cured. On dark garments a white base goes down first, so the colours stay bright and opaque.

    Best for
    Bold logos in flat colours, large prints, event and merchandise volumes.
    Good to know
    Each colour needs its own screen, so it pays for itself from a few dozen pieces.
  • The needle of a multi-head embroidery machine stitching an old-gold satin roundel onto a navy piqué polo held in a hoop, the roundel half complete.

    Embroidery

    From one piece, once digitised

    Your logo is digitised into a stitch file and sewn in polyester thread on multi-head machines, many garments at once. Durable, dimensional and the standard for corporate wear.

    Best for
    Polos, shirts, jackets, caps and workwear that sees hard laundering.
    Good to know
    Thread cannot blend gradients, and very small text loses its legibility.
  • Close-up of raised white 3D embroidery on a racing-green twill cap, satin stitches wrapping over foam with a rounded edge and a soft shadow.

    3D embroidery

    From a short run

    Satin stitches are sewn over a layer of foam. The needle cuts the foam at the edges, the excess is torn away, and the mark stands raised and rounded.

    Best for
    Structured cap fronts and bold, simple shapes on heavy fleece or twill.
    Good to know
    Not for fine detail, small text, beanies or soft knits.
  • A burgundy twill appliqué shield being edge-stitched onto grey fleece in a hoop, the cream satin border half finished and the needle at a corner.

    Appliqué and badges

    From a small run

    A shaped piece of felt or twill, or a woven or printed badge, is placed on the garment and stitched around its edge. Large areas, few stitches, a heritage look.

    Best for
    Large chest marks on hoodies, cap fronts and replaceable workwear badges.
    Good to know
    Woven and printed badges are made first, which adds time and a minimum of their own.
  • Close-up of a direct-to-garment print on a white cotton T-shirt: a full-colour photograph of a coastline, the ink sitting softly in the fibres.

    Direct-to-garment

    From a single piece

    An industrial inkjet prints water-based ink straight into a pretreated cotton garment. There are no screens, so photographs and single pieces need no set-up, and every piece can differ.

    Best for
    Full-colour artwork on cotton in short runs, samples and single pieces.
    Good to know
    Cotton only. White on dark garments is less opaque than screen print.
  • Gloved hands peeling the clear carrier film from a fresh digital transfer on the chest of a graphite softshell, the white hexagon and its orange compass needle crisp beneath it.

    Digital transfer

    From a single piece

    The design is printed digitally onto film with a white layer and adhesive, heat-pressed onto the garment, and the film is peeled away. Cut film, pressed the same way, carries names.

    Best for
    Full colour on polyester, softshells and shells, and a name on each piece.
    Good to know
    Large solid areas feel like a patch; for big runs of a simple logo, screen print is softer.
  • Printed transfer paper with a cobalt and lime triangle pattern lifting from a white polyester jersey panel, the colour now inside the fabric.

    Sublimation

    From a single piece

    Dye is printed onto paper, then turned into gas by heat and pressure so it enters the polyester fibre. Nothing sits on the surface, and colour can run seam to seam.

    Best for
    Full-colour sports jerseys and any white or light polyester garment.
    Good to know
    Polyester only, white or light. It cannot colour cotton or dark garments.

Special effects

Texture, shine and light on top of the main method, for accents rather than whole designs.

  • Close-up of white puff print on charcoal jersey, the ink swollen into a soft, rounded relief under raking light.

    Puff

    Ink that swells as it cures into a soft, rounded relief.

  • Close-up of black flock print on red cotton jersey, its fine velvety fibres standing up from the surface.

    Flock

    Velvety fibres standing up from the print, soft to the touch.

  • Close-up of a clear high-gloss gel print over navy jersey, its raised glassy surface catching a soft highlight.

    Gel and high gloss

    A clear, glossy layer over the print, like lacquer or droplets.

  • A silver reflective print of a chevron above a hexagon on black fabric, its surface catching the light.

    Reflective

    A print that returns light like reflective tape. Not a certified safety marking.

  • Tone-on-tone relief embossed into sand-coloured fleece with no ink, the shape drawn only by light and shadow.

    Embossing

    A relief pressed into the fabric or the print, with no ink at all.

  • Small clear crystals heat-set in two nested hexagon outlines on black jersey, each one a tiny point of sparkle.

    Crystals and beads

    Small crystals or beads set into the design, for sparkle at events.

Method adviser

Three questions. One method.

Choose the garment, the artwork and the quantity. We show the method we would recommend, an alternative and why.

What are we branding?
What is the artwork?

Your logo or design as it will appear on the garment.

How many pieces?

Per design, across all sizes.

What are we branding?Our recommendation
T-shirtsScreen print, Direct-to-garment, Digital transfer
Polo shirtsEmbroidery, Digital transfer
Sweatshirts and hoodiesEmbroidery, Screen print, Appliqué and badges
Shirts and business wearEmbroidery, Digital transfer
Jackets and softshellsEmbroidery, Digital transfer
Workwear and hi-visEmbroidery, Digital transfer
Aprons and hospitalityEmbroidery, Screen print, Digital transfer
Sportswear and teamwearSublimation, Digital transfer, Screen print
Caps and beaniesEmbroidery, 3D embroidery, Appliqué and badges
BagsScreen print, Digital transfer, Embroidery

A first indication. We confirm the method once we have seen your artwork and the garment.

An artwork proof sheet with a navy and gold roundel at actual size, beside colour swatch cards, thread wraps, a stitched sample and a loupe.

Artwork and colour

  1. Artwork preparation

    Send your logo as you have it. We check it against the method, digitise it for embroidery or separate it for screen print, and correct whatever would not reproduce cleanly.

  2. Colour matching

    Spot colours are matched to your Pantone references, and embroidery thread to the same references, so the logo on a polo matches the logo on a T-shirt.

  3. The proof

    Before anything is made, you approve a digital proof showing placement, real size, method and colours. Nothing goes into production without your approval.

  4. Quality checks

    Every order is inspected to AQL sampling before it ships: placement, colour, stitch and print quality, and the count. It leaves only once it passes.

Finishing

The details that make a garment ready to hand out, sell or send.

  • Inside the neck of a navy polo: a plain ivory woven label with a small gold roundel motif, sewn in, and behind it a white T-shirt with the label printed in its neck.

    Your label in the neck

    Your own woven or printed label sewn into the neck, or your label printed straight into it.

  • A folded navy polo with a kraft hang tag, a sheet of barcode stickers beside it, and hands pressing a barcode sticker onto another polo in its clear bag.

    Hang tags

    Hang tags in your design on each garment, for a shop, a launch or a welcome day.

  • A navy polo in its own clear bag, a stack of cream T-shirts held by a kraft band, and a navy gift box with a polo in tissue paper.

    Individual bagging

    Each garment packed in its own bag, ready to store, sort or send on.

  • Close-up of a navy piqué polo: an old-gold embroidered roundel above a name stitched in raised cream satin script.

    Embroidered names

    Each person's name embroidered on their own garment, beside your logo.

  • Size and barcode stickers

    A size and barcode sticker on every bag, so pieces are easy to sort, store and hand out.

  • Retail-ready packing

    Packed for the shelf with tags, stickers and card inserts, ready to go straight into a shop.

  • Gift packing

    Each piece packed as a gift, for a welcome day, an anniversary or a thank-you.

03 · Production

An industrial floor, not a print shop.

Automatic presses, multi-head embroidery lines and digital print lines run in three shifts in our print and embroidery centre in Poland, with quality control at every stage and the stock on the same site.

  • 2 million

    garments in stock inside the EU

    Around that number at any time, in more than 250 styles.

  • 30,000

    garments decorated a day, at most

    Up to 30,000 a day, across three shifts.

  • 3

    shifts a day on the floor

  • 7

    days, in as little as

    Express orders on eligible stock styles with standard decoration.

  • 90 million+

    garments decorated to date

    More than 90 million so far.

  • An operator loading T-shirts onto an automatic carousel screen-printing press while a colleague takes finished prints into the conveyor dryer.

    Automatic presses

    Carousel screen-printing presses print many garments at once, colour after colour, with a dryer curing each one. Built for event volumes and repeat programmes.

  • A line of multi-head embroidery machines with navy polos and green caps in their hoops, and an operator checking a finished piece.

    Embroidery lines

    Multi-head machines stitch the same logo on many garments at once, from one stitch file, so the fortieth polo matches the first.

  • Two direct-to-garment printers side by side, a technician placing a white T-shirt on the platen beside a heat press and a cart of printed shirts.

    Digital lines

    Direct-to-garment printers, transfer and sublimation printers and heat presses handle single pieces, full colour and individual names, with no screens to set up.

  • An inspector measuring the placement of an embroidered roundel on a navy polo under a daylight lamp, with checked pieces stacked on the table.

    Quality control

    Inspectors check every order to AQL sampling, whatever its size, against the proof you approved. A run that fails is put right before it ships.

Stock and logistics

Decorated, packed and sent from the same place, to wherever your people are.

A long, bright warehouse aisle with high shelves of blank garments sorted by colour, and an order picker with a trolley halfway down.A packing line where bagged garments go into plain cartons and sealed boxes roll along a conveyor towards the loading doors.
  1. Held for call-off

    We can store your decorated garments and send them out as you need them, in small call-offs rather than one large delivery.

  2. Picked and packed

    Orders are picked and packed per person or per site, and labelled, so each parcel reaches the right desk.

  3. Delivered across Europe

    By courier to your sites or straight to your people, across the EU, the United Kingdom, Norway and Switzerland.

Responsible inks

Water-based inks for a soft print that breathes, and PVC- and phthalate-free plastisol where the colour must be opaque.

Water-based screen-printing ink in terracotta and teal being mixed with a spatula, beside a drawdown card with a terracotta and a teal swatch.
04 · How an order runs

From brief to delivery in six steps.

The express case, day by day. Every order follows the same six steps; larger or more complex orders take more days between them.

  1. Day 0

    Brief

    Tell us the garment, the people who will wear it, the quantity and the date, and send your artwork.

  2. Day 0

    Advice and quote

    We advise the garment and the method, check the artwork and send a quote with your date.

  3. Day 1

    Artwork proof

    You approve a digital proof of placement, size, method and colours. Production starts only then.

  4. Day 2–4

    Decoration

    Your garments are printed or embroidered on the floor, in three shifts, from the approved proof.

  5. Day 5

    Finishing and checks

    Labels, tags and bagging as ordered, then inspection to AQL sampling before the order ships.

  6. Day 6–7

    Delivery

    By courier to your sites or your people: express orders are decorated and delivered in as little as 7 days.

The express case: eligible stock styles, standard decoration, artwork ready on day 0. Everything else gets its date with the quote.

A bright cut-and-sew floor: a cutter at a table of layered navy fabric, machinists sewing jackets behind, and a rack of finished navy jackets.
05 · Beyond stock

When ready-made is not enough.

Some briefs need a cut, a fabric or a colour that no stock garment has. Then the same team moves your brief into made-to-order production in our network, from Türkiye to Bangladesh, and keeps the decoration standard you approved here. Start with stock for speed, and plan the made-to-order collection beside it.

Questions

The short answers. For anything else, ask us directly.

Ask us directly
Is there a minimum order?

Not for the digital methods: direct-to-garment, digital transfer and sublimation start at a single piece. Embroidery works from one piece once your logo is digitised, which is a one-off cost. Screen print needs a screen for each colour, so it pays for itself from a few dozen pieces. Tell us the quantity and we advise the method that suits it.

How fast can you deliver?

Express orders on eligible stock styles with standard decoration are decorated and delivered in as little as 7 days. Larger runs, other garments and more complex decoration take longer, and we confirm your date with the quote, before you commit. If you have a fixed event date, tell us at the start.

Which garments can you brand?

Everything in the ten families on this page, from T-shirts and polos to workwear, aprons, caps and bags. This is not a catalogue: we advise the right piece, and if it is not in our stock, we source it. Garments you already have? Ask us. It depends on the fabric and how they were made, so we decide case by case.

Which method should I choose?

It depends on the garment, the artwork and the quantity. Embroidery suits polos, jackets and caps; screen print suits bold logos in larger runs; the digital methods suit full colour, short runs and names. Try the method adviser above, then send us your artwork: we confirm the choice before anything is made.

What artwork do you need?

A vector file (AI, EPS, PDF or SVG) with the text outlined is best for screen print, embroidery and transfer. For a photographic print, a sharp image at full print size. A mock-up is not a production file. If you only have a JPG, send it anyway: we can prepare or redraw it, and we tell you the cost first.

Can you match our brand colours?

Yes. Spot colours in print are matched to your Pantone references, and embroidery thread is matched to the same references. If you have no references, send a sample or your brand guide and we propose them. Digital prints are colour-managed and come close; when a spot colour must be exact, screen print is the safer route.

Will I see a proof or a sample first?

Always a proof: a digital proof showing placement, size, method and colours, which you approve before production starts. Nothing is made without it. A physical sample on the real garment is possible on request. It adds time and cost, especially for screen print, where setting up one piece takes as long as setting up a full run.

How do reorders work?

We keep your approved artwork and stitch files on record, so a reorder matches the first run. Send the quantities and sizes; if the garment, the artwork or the placement changes, you get a new proof to approve.

Can each piece carry a person's name?

Yes. Names can be embroidered, usually beside a stitched logo on polos, shirts and jackets, or applied by digital transfer on T-shirts, sportswear and bags. Send the list with the sizes and we pack each piece individually, ready to hand to the right person.

Where do you deliver?

Across Europe: the EU, the United Kingdom, Norway and Switzerland. We deliver to one address, to each of your sites, or straight to your people. We can also store your decorated garments and send them out in call-offs as you need them.

Tell us what you need it for.

Send the garment, the artwork, the quantity and your date. We come back with advice, a proof plan and a quote.

Extreme close-up of an embroidery needle stitching the last old-gold satin column of a roundel on navy piqué, the thread taut and bright.